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Close Your Eyes Director: David Lilley
A middle-aged, middle-class couple (Nick Ewans and Annie Walker) arrive at a holiday cottage with their two daughters. With the kids in bed, they snuggle in front of the telly but a curious sound prompts a possibly unwise investigation. In the second story, three young people (Jennifer Evans, Phil Smeeton and Nina Reizi) prowl an old building, hunting something which is also hunting them. The family scenes are yellowish-orange, the trio’s scenes are greenish-blue. Ace DP Simon Fretwell (Slipping) does a bravura job on what must be one of the darkest (literally) films I have ever seen. How are the stories connected? Are they happening at the same time and/or the same place? With such a short running time, it would be unfair to spoil the story by giving any further details, but it does raise an interesting idea and there is a certain amount of bloody violence, the two basic criteria on which any horror movie must be judged. When the vampires appear, they fly through the air, eyes glowing, suggesting a Hong Kong influence.
The low light levels do cause a certain amount of uncertainty about what is what but they also help to disguise a crucial plot point until the reveal. There are one or two oddities, such as Nina Reizi’s character’s inability to speak English, which are never explained, and there is a slight tendency for characters to come back from the dead (not just the vampires). But as a taut, atmospheric vampire chiller, Close Your Eyes scores. The accompanying stills gallery includes some shots from an alternative ending although this is not included on the disc. MJS rating: B+ | ||
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